The A.B.C. Murders: Agatha Christie

The A.B.C. Murders, also published as The Alphabet Murders, is a book in the Hercule Poirot series, published in 1936. An added plus for me is that Captain Arthur Hastings and Inspector Japp join him in this investigation. And in this case, there is another official assigned to the case, Inspector Crome, who, as usual, underestimates Poirot's abilities.

Captain Hastings is visiting Poirot, back from his ranch in South America. Poirot receives a letter hinting that a crime will take place in Andover. Thus begins a series of murders, each set in a different city. The case is unusual for Agatha Christie because it is a hunt for a serial killer, and that was not very common in the 1930's.

As I have been reading more books by Agatha Christie in the last few years, I have found every one of them to be an entertaining read, never boring. And this one was no different on that score. It was not my favorite but it has many things to recommend it.

I like the Poirot novels that are narrated by Captain Hastings; the two have a nice relationship, teasing each other but always supportive. In this case there are sections of the book not told from Hastings viewpoint, and we are warned of this. But I did not find that approach quite as effective. There seemed to me to be more characters than usual and I did get confused trying to keep track of them. Even so, I guessed what was going on, and who did it, but not the motive.

Even though I would not put this on my list of top novels by Agatha Christie, it has made many top 5 or 10 lists of Christie novels so I still would recommend it, especially if you are a Christie fan. If you are new to Christie, maybe it is not the place to start.

See other posts about this book at Confessions of a Mystery Novelist..., A Crime is Afoot, and Wordsmithonia.



This post is submitted for the Golden Vintage Scavenger Hunt in the "Train" category.

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Publisher:  Pocket Books, 1966. Orig. pub. 1936.
Length:     188 pages
Format:     Paperback
Series:      Hercule Poirot
Setting:     UK
Genre:       Mystery
Source:     I purchased my copies.

Red Bones and Blue Lightning: Ann Cleeves

When I wrote a post on the first two books in the Shetland series by Ann Cleeves, Raven Black and White Nights, I had difficulty explaining exactly what I liked so much about the books. After having read the next two books in the series, I think it is a combination of good storytelling, good characters, and the wonderful setting of the Shetland Islands. And another big plus is that there is variety in each book.

In Red Bones, Jimmy Perez is called to the small island of Whalsay because his deputy's grandmother has been killed. The death appears to be a tragic accident, caused by a neighbor who was shooting rabbits nearby, but there is still a lot of resentment between the families involved. This book was especially interesting because the focus was on dysfunctional family relationships.

In Blue Lightning, Perez has gone to Fair Isle with his fiancée to see his parents. A reception honoring the couple is held at the bird observatory on the island. The next day, Perez is called in because the leader of the institute has been murdered. Perez is on vacation, of course, but the island is socked in due to weather conditions and there is no one else to handle the situation. I liked the immersion in the birding community (which Cleeves knows a lot about); the ending was very much of a surprise, and makes up for the slow pace of the investigation.

Perez is not a troubled detective but his character is very brooding. He follows police procedure in handling the crimes, but it seems that the resolution of the crimes is solved mostly by intuition. The pace is slow and Perez spends a lot of his time (in both books) thinking about his personal life and relationships.

I like everything I have read by Ann Cleeves. Other than the first four books in the Shetland series, I have read two Vera Stanhope mysteries and two Inspector Stephen Ramsay mysteries. The Vera Stanhope series is my favorite so far, but the Shetland series is very, very good. For mystery lovers who like police procedurals or mysteries with unique settings, I would definitely recommend these books. However, if you are bothered by too much of a character's personal relationships in a mystery, this may not be for you. I am neutral on that topic; for me, it really depends on whether the writer can carry if off.

I read these two books recently because we wanted to watch the Shetland TV series. For some reason, they started the series with an adaptation of Red Bones. The series is different from the books in many ways, but mostly the crime and the resolution is very similar to the books, so I am glad I read the books first. The actor playing Jimmy Perez (Douglas Henshall) is very different from the character in the book, at least physically, and the stories are more like police procedurals, with more focus on his co-workers. Here Jimmy Perez is portrayed as widowed with a teenage daughter. Even with the differences, I enjoyed the episodes very much. Honestly, in the TV series, setting is the big draw for me. I could watch the shows just for the beautiful scenery and a look at life on the Shetland Islands.

More reviews here:

• Maxine Clarke's reviews at Eurocrime, Red Bones and Blue Lightning
• Rob Kitchin at The View from the Blue House, Red Bones and Blue Lightning
• Combined review at Girl vs. Bookshelf

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Publisher:   Minotaur Books, 2009 and 2010
Length:       392 and 357 pages
Format:      Hardcover
Series:       Jimmy Perez, #3 and #4
Setting:      Shetland Islands, Scotland
Genre:       Police procedural
Source:     I purchased the books.

A Shock to the System: Simon Brett

This is a very different book by Simon Brett. Most of his books are humorous, lighter mysteries; I have read several books featuring Charles Paris, the actor. A Shock to the System is part dark comedy, and part thriller. Graham Marshall is an HR professional, a seemingly ordinary man, who kills a man in a fit of pique. He does not even know the man he kills; he leaves work after learning that he has not gotten the promotion he expected. He is accosted by a bum begging for money; in a rage, he hits the man with his umbrella and pushes him off a bridge. Initially he is remorseful and fears retribution; when it does not come, he begins to see murder as a solution to his many problems.

Initially, I had empathy with Graham. He has been moving steadily up the corporate ladder for years, his finances are becoming precarious, and his wife is pushing him to get a promotion so that they will have more money. Gradually Graham reveals his sordid, uncaring side; he cares little about how his behavior affects anyone. This is not a whodunnit, or even a howdunnit, as we watch as the crimes take place. The mystery here is whether he will be caught.

I expected the book to be more humorous. I did see the film adaptation when it came out in 1990 but I did not remember how dark the story was. This is black comedy, but I found it to be more black, less comedy.

The story was absorbing, well-written and a quick read; my interest never flagged. But it was not a comfortable read. With the story coming from Graham's point of view, it is hard not to feel the horror of the change in his behavior. Other characters in the book are also interesting and have depth, although few of them are very likable.

A new Blu-ray edition of A Shock to the System was recently released and that was my motivation to find a copy of this book and read it now. There are differences but I did not remember how the story played out in the film. It is set in New York, not the UK; Graham has a wife and a mother-in-law but no children.

Michael Caine is Graham, Swoozie Kurtz is his wife, and Elizabeth McGovern is a young woman who works in Graham's department and is attracted to him. Peter Riegert is the younger man who gets the promotion that Graham expected. Other than Caine, my favorite character in the film is Will Patton, who plays a police detective very much like Columbo.

I found the film lighter than the book but it was still pretty dark. A review in Entertainment Weekly from 1990 described this film as an "exhilarating corporate satire" that is "juicy fun." That would not be my assessment of the film, but it is very entertaining and well worth watching.

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Publisher: Macmillan London, 1984
Length:    255 pages
Format:    Hardback 
Setting:    London
Genre:     Thriller
Source:    I purchased this book.

Pride and Prejudice: Jane Austen

I read Pride and Prejudice this month as a part of the Jane Austen Read All A-Long at James Reads Books. The readalong started with Sense and Sensibility in July and continues through Persuasion in December. I opted for Pride and Prejudice in August, Emma in October, and Northanger Abbey in November. However, I was so happy with my experience with P&P this month that I think I may try to do another book or two.

For anyone who hasn't either read the book or watched one of the numerous adaptations, I will give a brief overview.The story is set in the early 1800's and centers on the main character Elizabeth, the second of five daughters whose family lives in a small town in Hertfordshire, near London. Elizabeth is close to her elder sister Jane, although they are very different in temperament. Themes include marriage, morality, education and the choices women had at the time.

Much of the focus of the book is Mrs. Bennet's determination to get her five daughters betrothed to men with some ability to support them, since her husband's estate is entailed and will go to a surviving male heir once Mr. Bennet dies. That she has this desire is natural and loving, but the way she goes about it is disruptive and unappealing.

The story is told primarily from Elizabeth's viewpoint, and we know little about what is going on in anyone else's head. However, Austen also reveals that Mr. Darcy, a young man with whom Elizabeth is at odds, is gradually becoming attracted to her.

I read Pride and Prejudice somewhere back in my distant past. I am sure I liked it then, but I wasn't sure how I would feel about it now. Happily for me, it was a very pleasant experience. As soon as I started reading the book, I realized why it is such an enduring book. I thought the prose and the conversation would be too stilted, too old fashioned. Maybe so, but it never bothered me at all. I was entranced from the beginning. The book was much longer than I thought it would be, but I enjoyed every page. The edition I read is 475 pages, but it does have illustrations.

The only problem with a reread of this book after seeing the adaptations of the book over the years was knowing what to expect, what happens. It did not spoil my enjoyment, but I did wonder how I would react to each section if I did not know what happens next (and who the villains are).

This book has been analyzed to death. I will just share a few thoughts:

• I enjoyed getting a picture of life at the time, or at least the life of persons of the Bennett's social status. They are not well to do, but neither were they hurting for some of the luxuries of life. I enjoyed the illustrations by Hugh Thomson in my edition because they reminded me of how people dressed for their daily activities. 
• The book is entertaining whether you are looking for deeper meanings and symbolism (I was not) or just enjoying the romance and the humor in the book. 
• One of the things I like about this book is that because it was published in 1813, you know the people depicted here are real types that existed. My point is that this is not historical fiction with a picture of how we might like it to be, but fiction that reflects the people of the time, or at least this author's vision of it.

The only criticism of the book that occurred to me in this reading was that Austen tends to be very wordy, both in endless conversations and descriptions of situations. Yet, I loved the writing and the story so much I did not care.

This reread confirmed my belief that you just can't get the same experience from an adaptation. I have seen two TV show adaptations and the 1940 film with Greer Garson and Laurence Olivier.  Our favorite is the 1980 BBC mini-series with  Elizabeth Garvie as Elizabeth Bennet. But no adaptation can convey the depth that comes through in Jane Austen's writing.

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Publisher:   Book of the Month Club, 1996 (orig. pub. 1813)
Length:      476 pages
Format:      Trade paperback
Setting:      UK
Genre:        Literary fiction
Source:      I purchased my copy.

Dead Skip: Joe Gores

The DKA Files series by Joe Gores features a group of investigators who work for Daniel Kearny Associates, a firm specializing in repossessions of vehicles whose owners have defaulted on their loan payments. On the surface that sounds boring, but really it is not. There are six novels (plus one book of short stories) in the series.

Dead Skip (1972) is the first book in the series; Bart Heslip, a private investigator working for Dan Kearny Associates, is in a coma following a car crash. The police think he totaled the car while joyriding. His friend and coworker, Larry Ballard, knows that behavior does not fit Bart's character. Dan Kearney, his boss, gives Ballard 72 hours to work through Heslip's open files, looking for a clue to connect one of them to Bart's “accident.”


MY THOUGHTS

Joe Gores tells a  fast-moving story, with believable characters. He based the stories in this series on his own experiences as a private investigator in San Francisco, working for a firm very much like DK Associates. He provides a realistic, non-glamorous view of private investigators and their daily activities. The search takes place primarily in San Francisco and some East Bay communities.

One of the most fun parts of this novel for me was the crossover to the Parker universe. In this novel, Dan Kearney gets involved in the investigation towards the end, and along the way he runs into an old acquaintance, who turns out to be Parker, a series character created by Donald E. Westlake (as Richard Stark). It is only a brief understated scene, but it was a kick to recognize who he was referring to since I just started reading the Parker novels this year. Parker's encounter with Kearny is told in more detail and from a different perspective in Plunder Squad, a Parker novel. Nick Jones goes into much more detail on that in his review (of both books) at Existential Ennui.

In his review in 1001 Midnights (1986), Bill Pronzini calls this book "an excellent private-eye procedural." He also says: "Even better are the other two novels in the series — Final Notice (1973) and Gone, No Forwarding (1978)." (At the time those were the only books published in the series.)

See Also reviews by TomCat at Beneath the Stains of Time and Rick Robinson at The Broken Bullhorn (Rick now blogs at Tip the Wink).


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Publisher: Random House, 1972
Length:    184 pages
Format:    Hardback (book club edition)
Series:     DKA Files #1
Setting:    San Francisco
Genre:     Mystery
Source:    Purchased at the Planned Parenthood book sale, 2016.

The Rainbird Pattern: Victor Canning

The Rainbird Pattern (1972) by Victor Canning is the 2nd book in a loose series called the Birdcage books. They all revolve around a covert security group in the UK, a branch of the Ministry of Defense. There is very little oversight of the Department's work and the agents are generally amoral, although they believe that their mission is important to the welfare of the country. The first book I read featuring this covert department was Firebird. The plot was complex and kept me guessing, but most of the characters were unlikeable.

In The Rainbird Pattern, there are two distinct plotlines. One deals with a kidnapping plot; the reader follows the agents of the Department as they investigate two previous kidnappings. The second plot involves an elderly woman's search for her sister's child, put up for adoption decades earlier. Although skeptical about spiritualists, she hires a medium to get in touch with her dead sister. Madame Blanche believes in her gift and her contact in the spiritual world, but also makes use of the detecting abilities of her boyfriend, George. The question, of course, is how will these two plots intersect?

This is a short book, under 200 pages, but the build up to the point where the two plots come together is handled well. The author provides just enough background for the participants; the ending is surprising and dark. The development of the characters is well done but, as in Firecrest, I could not really root for any of the characters. Some of them are either evil or amoral or both, but even those with basically good intentions are primarily self-serving.

This is reportedly Victor Canning's most well regarded book, and that does not surprise me. It won a Silver Dagger Award from the CWA. Firebird was thought-provoking with very good characterization, but The Rainbird Pattern is on a higher level, and moves faster, especially towards the end.

The book was adapted as a film, Family Plot, directed by Alfred Hitchcock, script by Ernest Lehman. The film treatment is very different from the book. The basic elements of the plot remain, but the story is turned into a comedy. The setting is also moved from the UK to Southern California. Initially I found the setting disappointing but in a way it made it easier for me to switch to a different mode. Although none of the actors were spectacular in this film, many of them are actors I enjoy watching: Bruce Dern, William Devane, Karen Black. I liked Barbara Harris as Blanche, the medium; I was not familiar with her before seeing this film. Family Plot is clearly not among Hitchcock's best films, but I enjoyed it.

Other resources:

• Nick Jones' review of The Rainbird Pattern at Existential Ennui. Also his post on Firebird has a list of all the Birdcage novels.
• John Higgins' Victor Canning Pages include a page on the Birdcage books.
• Moira's review of The Rainbird Pattern at Clothes in Books. Moira has reviewed other Birdcage books her site.
• My review of Firebird.

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Publisher:   Ostara, 2010 (orig. pub. 1972)
Length:       193 pages
Format:      Trade Paperback
Series:       Birdcage books #2
Setting:      UK
Genre:       Thriller
Source:      I purchased this book.