The Hunter: Richard Stark

The Hunter is the first novel in a series by Richard Stark (one of Donald Westlake's pseudonyms). The series of 24 books features an amoral criminal, Parker,who specializes in payroll robberies. He is not a killer for hire, but he will kill if someone gets in his way. In other words, not a very nice guy. He has no redeeming qualities. He has no remorse for what he does; on the other hand, he is not sadistic. He does not think much about what he does at all. He just conducts his business and moves on. In this novel, Parker is seeking revenge on Mal, a man who double-crossed him, took his wife, and stole his share of the proceeds from a job.

This story felt kind of numbing in the first reading. As soon as I finished this book, I wondered if I want to continue reading books about a protagonist who is narcissistic and unsympathetic. I don't dislike the character but there is nothing admirable or likable about him, at least in this book. The writing is plain and unadorned, the story is hard-boiled, with lots of violence. There is little description or exposition. There is a lot of action and dialog and that is how you learn about the characters, most of which are very similar to Parker.

The real test, however, was that it was just as compelling when I was rereading portions of the book as I worked on this post. So, in the end, the answer is that I do want to continue reading this series. I will be reading the second book, The Man with the Getaway Face, in June, for a special theme on Heists / Bank Robberies at Friday's Forgotten Books at Patti Abbott's blog, pattinase. And I have ordered the third book in the series, The Outfit.

A review quote from the Christian Science Monitor, cited at the publisher's site:

If you’re looking for crime novels with a lot of punch, try the very, very tough novels featuring Parker. . . . The Hunter, The Outfit, The Mourner, and The Man with the Getaway Face are all beautifully paced, tautly composed, and originally published in the early 1960s.

A quote from an article at CriminalElement.com

The Hunter should be on everyone’s short list of must-read novels. Its historical significance to the crime genre is on par with The Big Sleep or The Maltese Falcon. In the same way those novels introduced hardboiled noir to the world, The Hunter jumpstarted the era of the antihero that we still see ripples of today. It is action-packed storytelling with an innovative structure and one of the most unique and most celebrated characters in all of crime fiction.

Other resources:

• An introduction to the novel written by Donald Westlake
• Review by Nick Jones at Existential Ennui
• A detailed analysis, with spoilers, at The Westlake Review

Film Adaptations

This first book in the series was the basis for at least two movies: Point Blank, starring Lee Marvin and Payback, with Mel Gibson. I watched both movies after finishing the book.  I had watched Payback years ago, but this was my first viewing of Point Blank. Both movies try to humanize Parker, but they do stick fairly close to the story in the book. I think Lee Marvin's  portrayal of Parker is closer to that in the book, but Mel Gibson depiction of the crazy drive that Parker must have to achieve his goal is also very well done.


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Publisher:  Univ. of Chicago Press, 2008 (orig. publ. 1962)
Length:     198 pages
Format:     Trade paperback
Series:      Parker #1
Setting:     New York City
Genre:      Hard-boiled
Source:     I purchased my copy

20 Books of Summer 2017

This year I was reminded of 20 Books of Summer by Nancy at NancyElin, whose list is here. The originator of the challenge is Cathy at 746 Books. Check out Cathy's list for more information.

For the 20 Books of Summer challenge I am choosing twenty books to read between June 1st and September 3rd, 2017. There are options for 15 books or 10 books for those who don't want to commit to 20.

And this is my list:

• The Fashion in Shrouds by Margery Allingham (1938)
• Murder Begins at Home by Delano Ames (1949)
• Track of the Cat by Nevada Barr (1993)
• The Emperor's Snuff-Box by John Dickson Carr  (1942)
• Red Bones by Ann Cleeves (2009)
• The Black Ice by Michael Connelly (1993)
• Evil at the Root by Bill Crider (1990)

• Crooked Heart by Lissa Evans (2009)
• City of Dragons by Kelli Stanley (2010)
• Dr. No by Ian Fleming (1958)
• Malicious Intent by Kathryn Fox (2004)
• Dead Skip by Joe Gores (1972)
• Bodies Are Where You Find Them by Brett Halliday (1941)
• The Distant Echo by Val McDermid (2003)
• Vanishing Act by Thomas Perry (1994)

• Deep Water by Christine Poulson (2016)
• Busman's Honeymoon by Dorothy Sayers (1937) 
• New Orleans Mourning by Julie Smith (1990)
• The Man with the Getaway Face by Richard Stark (1963)
• Brothers, Keepers by Donald E. Westlake (1975)

Murder... Now and Then: Jill McGown

Victor Holyoak is a wealthy industrialist who got his start in criminal activities in London. When the police began to catch up with him in the early 80s he moved to Holland and aimed at becoming a legitimate businessman. Now he has returned to the UK to take over a firm in Stansfield. When he is murdered following an event to celebrate the change in ownership, DCI Lloyd and DI Judy Hill must find the murderer. The investigation involves his stepdaughter, her husband who is the new General Manager, Holyoak's PR manager who is also rumored to be his lover, and various residents of Stansfield.

One of the characteristics of the Lloyd and Hill series is that the books do not follow a formula; the ongoing relationship of the two protagonists is a constant, but each book has a unique structure. In this case, the story goes back and forth between the past (beginning 15 years earlier) and the present, showing the relationships building and key events leading up to Holyoak's death.

The relationship of Lloyd (whose first name is never specified) and Judy Hill is a large part of this series and is even more prominent in this book. In some books they are working together as partners, in others they are working on the same cases but not as partners. This is the sixth book in the series, and at this point their relationship is serious but they are not living together. Because this plot goes back and forth between the past and present, the author has a chance to fill in some of their backstory in more detail, and the reader can see the progression of their relationship. This makes it sound like that element is primary in the story but there is a good balance and the mystery plot always comes first.

I discovered the Lloyd and Hill mysteries in 2007, and read all 13 books in the series in that year. Thus this was a re-read for me. I remembered nothing about the plot as I was reading it. Although I did guess what was going on by the end, I never did remember who the culprit was.

The books in this series are all very strong in both characterization and plot. Many of the characters involved in the crime as possible suspects are not very pleasant people, but nevertheless McGown fleshes out their characters and the relationships. The plots are structured beautifully. This may sound like a cozyish police procedural but there is a good amount violence in the story, although not dwelled upon. So, not cozy at all.

Jill McGown (1947 - 2007) is one of my favorite authors. She was born in Campbeltown, Argyll, Scotland, but by the age of 10 had moved to a town in Britain, Corby, where she lived the rest of her life. She is best known for the Lloyd and Hill series, but she also wrote five stand-alone mysteries (which I have not sampled).

In my opinion, the series is best read in order, because the Lloyd / Hill relationship evolves over time, but the author has stated (in this post at Mystery*File which includes some excerpts from an interview) that each book is written to stand alone and contains enough backstory to explain the relationships where needed.

I have done previous posts on other books in this series: Plots and Errors and Murder at the Old Vicarage. Murder... Now and Then has been reviewed by Moira at Clothes in Books.
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Publisher:  Fawcett, 1995. Orig. pub. 1993.
Length:     346 pages
Format:     Paperback
Series:      Lloyd and Hill, #6
Setting:     UK
Genre:       Police Procedural
Source:     I purchased my copy.

Blanche on the Lam: Barbara Neely

Blanche White is an African-American woman in North Carolina working as a housekeeper. This puts many restraints on her behavior. She cannot speak out and share her opinions, at the risk of offending her employers and losing her job. She has little recourse if she is not paid on time or at all. But in this story, Blanche is hampered even more. She is literally "on the lam." She has run away from a one-month jail sentence for bouncing checks, and is working for a family vacationing in a coastal area near the town she lives in. If she leaves that position she is likely to be found and sent to jail. So, when she finds she is trapped in a situation with some very strange and nefarious people, Blanche cannot just leave.

Blanche has both strengths and weaknesses, like anyone else. She takes pride in her job and knows she does it well. She has taken on the role of parent to her niece and nephew following the death of her sister. On the other hand, she is too self-sufficient sometimes, doesn't like to ask for help, which leads to the mess with the bounced checks. She has some quirks. She personifies houses, sensing their personalities and feelings. She has the ability to sense when some people, who are on her "wavelength," are approaching. She makes sense of a person's behavior by comparing them to a friend or relative who has the same traits (similar to Miss Marple?).

Blanche on the Lam is first and foremost a story about relations between blacks and whites, and secondarily a murder mystery. As the author noted in an article in Ms. Magazine:

"I thought I was writing a novel that happened to have murder in it. Blanche was an amusement," Neely says. "But when the book did so well, I realized the mystery genre was perfect to talk about serious subjects, and it could carry the political fiction I wanted to write. In a way, I feel the genre chose me."

I found this to be a very enlightening and enjoyable novel, but only so-so as a mystery. The story is told from Blanche's point of view in first person. It took me a while (50 pages) to get used to the writing style and Blanche's character, then I enjoyed the rest of the book. I think the real pleasure of reading this book is getting Blanche's view on white people and how they mistreat, misjudge, or just look through black people.

This novel was full of great quotes. My favorite quote:

Nowadays, people wanted to tell you class didn't exist and color didn't matter anymore. Look at Miss America and the chairman of the Joint Chiefs of Staff. But Miss America and the chairman were no more black people than Mother Teresa was white people. Men like Nate [the gardener] and women like her were the people, the folks, the mud from which the rest were made. It was their hands and blood and sweat that built everything.

I had some reservations about this book, but not serious ones. Although I understood the panic that Blanche felt at facing even a few weeks in jail, running away seemed unlikely. On the other hand, we often need to suspend disbelief when reading mystery novels, and I was willing to do that with this story. Blanche is a fully developed character, but the people she interacts with are more one-dimensional. Amateur sleuths are not my favorite protagonists in crime fiction, and in this case we are over halfway through the book before we get to the first murder.

Barbara Neely is an African-American writer. Prior to writing full-time, she was an activist and at one time worked for Pennsylvania's Department of Corrections and developed the state's first community based correctional center for women.

Blanche on the Lam won three mystery awards for best first novel of 1992: The Agatha, the Anthony and the Macavity. Neely published three more books in the Blanche White series between 1994 and 2000.

Other resources:
Moira's review at Clothes in Books, Margot's Spotlight at Confessions of a Mystery Novelist..., and Naomi Hirahara's post at the Rap Sheet.


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Publisher:  Penguin Books, 1993. Orig. pub. 1992.
Length:     215 pages
Format:     Paperback
Series:      Blanche White, #1
Setting:     North Carolina
Genre:       Mystery
Source:     I purchased my copy in 2006.

Reading Summary for April 2017

April was an incredible reading month for me. I read ten crime fiction novels. I also read a non-fiction book, but the author of that book was a crime fiction author.

The Getaway Car: A Donald Westlake Nonfiction Miscellany is a collection by Donald E. Westlake. Foreword by Lawrence Block. Cover illustration and design by Darwyn Cooke, who adapted some of the “Parker” crime novels as a series of graphic novels.

The pieces were written at various times in his career. They include appreciations of other crime fiction authors, interviews (of Westlake, by others), and letters. There is a wonderful essay by his wife, Abby Adams Westlake, about "Living with a Mystery Writer." I enjoyed reading about his experiences with having his books translated into film, and his experiences as a screenwriter. No matter what he is writing about, Westlake is entertaining. I loved reading this book.



Following are the crime fiction books I read in April:

The Blackhouse (2009) by Peter May

A murder investigation set on the Isle of Lewis in Scotland's Outer Hebrides. In Part 1 of a trilogy, Fin Macleod, a detective from Edinburgh is sent to the Isle of Lewis because of previous connections to a similar crime. The story is powerful and well told. My review here.

Death on the Move (1989) by Bill Crider

Dan Rhodes is the Sheriff of Blacklin County, Texas. In this fourth book in the series, jewelry is disappearing off bodies prepared for burial at the funeral home in Clearview. There is also the problem of a rash of thefts at some homes built around a nearby lake. This is one of my favorite contemporary series. Full review here.

Cold Comfort (2012) by Quentin Bates

This is the second book in a police procedural series set in Iceland. Sergeant Gunnhildur has been promoted from her rural post to the Serious Crime Unit in Reykjavík. She is working on two cases, locating an escaped convict, Long Ommi, and investigating the murder of a fitness guru. I have found this to be a very enjoyable series, with a great main character, who has a realistic life, a single parent raising a teenage daughter.

Burglars Can't Be Choosers (1977) by Lawrence Block

Bernie Rhodenbarr is a burglar; when he attempts to steal a blue leather box from an apartment, the police walk in on him and a dead man is discovered in the bedroom. Bernie successfully eludes the policemen but they think he killed the man in the bedroom; he then has to prove his innocence. This is the first in a series about Bernie Rhodenbarr. A humorous mystery that was a lot of fun. My review is here.

Badge of Evil (1956) by Whit Masterson

Rudy Linneker, a very rich man in a large border town in California (San Diego?), is blown up by sticks of dynamite thrown into his house. The immediate suspects are Linneker's daughter and her fiance, since Linneker was dead set against their relationship. But Assistant DA Mitch Holt insists that the case does not feel right, and starts investigating in a different direction. This is the book that Orson Welles' 1958 film Touch of Evil was based on. 

Wall of Glass (1987) by Walter Satterthwait

Joshua Croft is a Santa Fe private investigator working for the Mondragón Agency, owned by Rita Mondragón. The case in Wall of Glass centers on a valuable piece of jewelry which was stolen from the house of a wealthy Santa Fe family. The setting was lovely and the story was entertaining. See review here. 

A Fountain Filled with Blood (2003) by Julia Spencer-Fleming

This is the second mystery in the Reverend Clare Fergusson/Russ Van Alstyne series. As the small town of Millers Kill, New York heads into the July 4th weekend, two gay men are severely beaten in separate incidents. Clare urges the police to notify the public; Russ feels like this could lead to copycat incidents. When another man, also homosexual, is killed, Russ must figure out if the crimes are connected. Mixed in with this are conflicts within the town over development of a luxury spa and environmental issues. Although I have some reservations about this series, I finished this book in a 24 hour period and could hardly put it down, which puts it high in my ratings.

Something from the Nightside (2003) by Simon R. Green

This is a cross-genre novel, blending fantasy and mystery. John Taylor is a private eye in London and his specialty is finding things. He originally came from the Nightside, a hidden part of London where monsters and demons reign. A woman comes to him as a last resort to find her daughter. The only clue she has is that she could be found "in the Nightside." John agrees to help her. This book was light and entertaining, a good read.

The Butcher's Boy (1982) by Thomas Perry

This was Thomas Perry's debut novel; it won the Edgar for Best First Novel of 1982. The two main characters are a professional killer with no name and Elizabeth Waring, an analyst for the Department of Justice. They are both very good at what they do. Full review here.

The Likeness (2008) by Tana French

This book is the sequel to Tana French’s debut, In the Woods. That book featured two detectives in the Murder Squad in Dublin, Ireland, Rob Ryan and Cassie Maddox. The Likeness continues Cassie's story. Cassie is now working in Domestic Violence at police headquarters, but a unique opportunity arises for her to go undercover, taking up an identity she used previously when she worked in the Undercover division. This is not a perfect book but very close. Also a Chunkster (466 pages).

In April, I read more contemporary novels than usual. I only read one novel written before 1960. There was one written in the 1970s and three from the 1980s. The remaining five books were published after 2001. Regarding authors, only two of the authors were female. In May I am endeavoring to remedy that and focus on female authors.

The Butcher's Boy: Thomas Perry

The Butcher's Boy (otherwise nameless) is a professional killer for hire, and apparently does most of his work for the Mafia. This time his jobs center around a corporation that handles pension funds, Fieldston Growth Enterprises. After the killer has done two jobs he heads to Las Vegas for a rest, only to find that he is being targeted by his former bosses. A second story line follows Elizabeth Waring, an analyst for the Department of Justice. She initially notices that a death in Ventura, California is suspicious. She and an FBI agent are sent to Ventura to look into that incident, but are soon taken off that investigation and sent to Colorado where a Senator has been murdered. The cases don't seem to be related, but Elizabeth insists that there is a connection.

I liked the way the story develops, with two main story lines, one following the killer and one following Elizabeth Waring. Although the killer is not likable, and has little personality, it is interesting to watch him work and follow his thought processes when he runs into problems. Elizabeth is highly intelligent and a talented analyst, but she has to watch how she behaves with her superiors, because she is a woman. However she is very competent in her job and not afraid to speak up, and those who work with her realize her value.

The book was written in 1982, and of course all the electronic developments in the last couple of decades were not available. For that reason this book may feel dated to some. That did not bother me; I read a lot of books from the 1970s and 80s for that reason. The story moved along and I was never bored. It was occasionally confusing, because the author does not add a lot of explanation; he lets the reader figure it out. And the characterization was very good.

Thomas Perry is a new author for me. I have a few of his other books on my TBR piles. This was Perry's debut novel and it won the Edgar for Best First Novel of 1982. Perry wrote two books about the Butcher's Boy. The second book, Sleeping Dogs, was published 10 years later, in 1992. In 2011, he published The Informant.  I want to read both of the sequels, of course. The edition of The Butcher's Boy that I read has an introduction by Michael Connelly, which was also entertaining.


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Publisher:  Random House, 2003 (orig. publ. 1982)
Length:     313 pages
Format:    Trade paperback
Series:     Butcher's Boy #1
Setting:    US (Las Vegas, Nevada; Ventura, California; Colorado)
Genre:     Mystery
Source:    I purchased my copy

Over My Dead Body: Rex Stout

Over My Dead Body is the 7th book in the Nero Wolfe series, published in 1940 in book format. Nero Wolfe is a genius, a lover of orchids and fine food, who supports himself (and his household) as a private detective. Archie Goodwin, the narrator of the stories, is both his assistant and a private investigator, and he does most of the legwork. They live in a New York brownstone and share the house with Theodore, the plant expert, and Felix, Wolfe's cook.

Many (but not all) of the Nero Wolfe mysteries follow a formula, although the outcome is never predictable. The formula is this (in very simple terms): there is a new case which often starts with a lesser crime or problem: theft, or a missing person, or just a search for some information. A murder occurs. The case gets more complicated, Archie detects under the direction of Wolfe. Often the police get involved and resent Wolfe's interference. In the end, they are all called together in Wolfe's office and the culprit is revealed.

Over My Dead Body is unusual in the Nero Wolfe series because it centers on a woman who claims to be Nero Wolfe's long-lost adopted daughter. The story was published after the war in Europe had started but the U.S. was not yet involved and it involves international intrigue. And in this book we get a peek at some of Wolfe's background and his activities in Montenegro when he was a young man.

A young woman from Montenegro, Carla Lovchen, comes to Wolfe's house asking for his help. She and a friend are living in the US and work in a studio teaching fencing and dancing. Recently the friend has been accused of stealing diamonds from one of the clients. Wolfe refuses to take the case and Carla leaves, but Archie and Wolfe get another visit later that morning from an FBI agent, who asks if Wolfe is an agent for foreign nationals. Carla returns in the afternoon, announces that the friend accused of theft, Neya Tormic, is Wolfe's adopted daughter, and insists that Wolfe represent her in the matter of the theft. Wolfe sends Archie to the dance / fencing studio to check the situation out. There is a murder at the studio while he is there and it is possible that Neya could have committed the crime.

Wolfe is not convinced that the young woman is actually his adopted daughter. Yet he feels a responsibility to come to her aid until he can resolve the truth of her claims.

This is just the basis for the story, and it gets more complex as it goes along. It is most interesting for the puzzle of whether Wolfe's adopted daughter is still alive and if this woman is actually who she claims to be. What is the international intrigue that is actually going on?

When I come back to each Nero Wolfe story for a re-read, it is not the overall story that I remember but special set pieces in the book that stood out for me. In this case, there are at least two scenes that I remember very fondly.  One is a very brief scene where Archie escapes from the dance studio by going through a couple of courtyards, over a tall fence, and through a restaurant, ostensibly looking for his missing cat. Later, there is a clever ploy where Archie has Carla masquerade as a bellboy to escape the police who are looking for her... so that his boss can talk with her first.

This is not one of the top mysteries in the Nero Wolfe series, in my opinion, but I found many things to like about it. As usual.

I love the Avon paperback cover with the lovely unclothed lady, but I don't know exactly how the illustration fits into the story. And I am glad I had another edition to read, because the print was tiny and faded.

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Publisher:  Pyramid Books, 1964. Orig. pub. 1940.
Length:     191 pages
Format:     Paperback
Series:      Nero Wolfe, #7
Setting:     New York City
Genre:       Mystery
Source:     I purchased my copies.